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A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist.

In Miami in , a determined Cuban immigrant takes over a drug cartel and succumbs to greed. A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.

The life of boxer Jake LaMotta , as the violence and temper that leads him to the top in the ring destroys his life outside of it. When a simple jewelry heist goes horribly wrong, the surviving criminals begin to suspect that one of them is a police informant.

Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.

Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.

As corruption grows in s Los Angeles, three policemen -- one strait-laced, one brutal, and one sleazy -- investigate a series of murders with their own brand of justice.

Renton, deeply immersed in the Edinburgh drug scene, tries to clean up and get out, despite the allure of the drugs and influence of friends.

This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one.

Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals.

However, they each have a tragic flaw--Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence.

Casino is by far my favourite film. I enjoyed good fellas, thought Raging Bull was great and enjoyed Taxi driver but this is a cut above the rest imo I have seen this film to many times to count and i am yet to become even remotely sick of it.

The acting is flawless, story flows at a great pace for the full all but 3 hours, great narration and a great soundtrack Pesci and De Niro play their parts so well as does Stone.

When watching this film I started to wonder what PEsci is really like in real life. Is he a crazed man like he so often plays?

After seeing Casino you are likely to wonder, he is that good I also think the characters in Casino are far more believable then those in good fellas.

Must see for any gangster film fan. Plus, we hear why more than one celeb wants to be snowed in with Idris Elba. See our favorite Sundance moments.

Enjoy a night in with these popular movies available to stream now with Prime Video. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!

Keep track of everything you watch; tell your friends. Full Cast and Crew. A tale of greed, deception, money, power, and murder occur between two best friends: Flamethrowers, WrestleMania, and Dwayne Johnson.

Share this Rating Title: Use the HTML below. You must be a registered user to use the IMDb rating plugin. Top Rated Movies Nominated for 1 Oscar.

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You must be a registered user to use the IMDb rating plugin. Top Rated Movies Nominated for 1 Oscar. Learn more More Like This. Full Metal Jacket Lock, Stock and Two Smoking Barrels Edit Cast Cast overview, first billed only: Ginger McKenna Joe Pesci Nicky Santoro James Woods Lester Diamond Don Rickles Billy Sherbert Alan King Andy Stone Kevin Pollak Pat Webb Dick Smothers Frank Marino John Bloom Don Ward Pasquale Cajano Remo Gaggi Melissa Prophet Jennifer Santoro Bill Allison John Nance Vinny Vella Edit Storyline This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one.

No one stays at the top forever. Edit Did You Know? They were working security on the movie set. One of them Randy Sutton , was featured on Cops Sam subsequently retires to San Diego and continues to live as a sports handicapper for the Mob, in his own words, ending up "right back where I started".

The research for Casino began when screenwriter Nicholas Pileggi read a report from the Las Vegas Sun about a domestic argument between Frank "Lefty" Rosenthal , a casino figure, and his wife Geri McGee , a former topless dancer.

Argent was owned by Allen Glick, but the casino was believed to be controlled by various organized crime families from the Midwest. This skimming operation, when uncovered by the FBI, was the largest ever exposed.

Pileggi contacted Scorsese about taking the lead of the project, which became known as Casino. Scorsese and Pileggi collaborated on the script for five months, towards the end of Some characters were combined, and parts of the story were set in Kansas City instead of Chicago.

A problem emerged when they were forced to refer to Chicago as "back home" and use the words "adapted from a true story" instead of "based on a true story".

They also decided to simplify the script, so that the character of Sam "Ace" Rothstein only worked at the Tangiers Casino, in order to show a glimpse of the trials involved in operating a Mafia-run casino hotel without overwhelming the audience.

Filming took place at night in the Riviera casino in Las Vegas, with the nearby defunct Landmark Hotel as the entrance, to replicate the fictional Tangiers.

According to the producer Barbara De Fina , there was no point in building a set if the cost were the same to use a real-life one. Several edits were made in order to reduce the rating to R.

Upon its release, the film was heavily criticized for its intense violence. It received mostly positive reviews from critics; however, their praise was more muted than it had been for the thematically similar Goodfellas , released only five years earlier, with some reviews criticizing Scorsese for retreading familiar territory.

From Wikipedia, the free encyclopedia. Redirected from Casino film. For the film Ho Kong Fung Wan a. Nicholas Pileggi Martin Scorsese. Love and Honor in Las Vegas.

Retrieved 28 October Retrieved August 21, When Ben is destructive, I do a tour of destructiveness in kids in cinema. The order in which my niece and nephew showed their emotions is the order in which we see them in the film.

I know people will ask me who this film is for. My answer is that it is for anyone of about ten or over who likes films.

I hope that they, young and old, will recognise themselves or kids they know in it. In the film I say that in little things faces, a field, a rock pool, a 12 minute shot of kids we can see a lot.

I hope that in this little film, we can see a lot about childhood and about the movies. He started making films in his late teens and after graduating High School he went on to educate himself away from TV screens and Hi8 Cameras.

He began at The New York Film Academy producing and directing short films and working as a technical advisor.

Those educational years resulted in a number of projects which recently or not so recently have been recognised internationally.

Further he was selected to the talent pool Trailblazer in by the Edinburgh Int. Film Festival recognising new emerging talent and won the Channel 4, 4Talent award for Best Directing in In Timo started working with Mark Cousins and has been editing his films ever since.

Sometime in early , I bumped into Mark Cousins on the street in Edinburgh, and asked what he was up to. He said that he and Tilda Swinton had dreamed up a new idea for a film festival that summer, which involved pulling the Screen Machine, a ton mobile cinema, by hand across the Scottish Highlands, showing great movies in small villages along the way.

They called this wild idea The Pilgrimage. Mark had consulted the British Tug-of-War Association about how many people it would take to pull a truck of that size, and showed me some figures scribbled on the back of an envelope.

Mark was a maths whizz long before he was a world-renowned cinephile, but he was a bit troubled about his calculations. It might be a disaster.

I decided then and there that my family — myself, wife Mary Bell and our two sons, then 8 and 12, both film mad — had to become Pilgrims.

Mark may have been uncertain about whether he and Tilda could pull off this lunatic scheme, but I had no doubt whatsoever that it would be an once-in-a-lifetime experience for anyone who took the plunge and trusted in their vision.

And so it proved. We met amazing people who came from all over the world. We watched great films. We swam in lochs. We got eaten by midges. About 50 people pulled the Screen Machine with ease though not me, because I had a bad back.

For all his modesty, Mark has a clarity of conviction which makes remarkable things happen, and which delivers enormous rewards for anyone who tags along for the ride.

So being giving the chance to help him make his next film was an extraordinary gift. There are some horses or is it a dog, or a cat?

The local "Cine-Disco" involved about an hour of music where us kids were allowed up on the main stage to dance about to the music, chat with our mates, eat lots of sweets and learn what it was all about to speak to girls!

Then once the hour of music was over we all returned to the cinema seats and were treated to some cartoons, an old black and white mystery serial that would run on each week and then a main feature.

As I got older and into my teens, I was given my first video recorder an old Betamax and I would record virtually any film that was broadcast on TV.

This enabled me to watch the likes of films by Hawks, Hitchcock, Lang, Ford and discover foreign cinema at quite an early age. I was hooked and wanted to learn more, so started reading many books on film too.

Outside of my day job, my work in film has begin to develop over the past 10 years or so, to a point now where I am keen for this to be my main vocation.

I have my own archive of films and documentaries on cinema as well as having access to many private film collections around the world and some film archives too.

I help many film writers, critics, directors and film lecturers by tracking down titles they are looking for, for research and study purposes.

Whilst at the festival we hung out a few times together, got talking about films generally and gradually got to know a bit more about each another.

I expressed that I was not very happy in my current job and Mark very kindly offered to help to see if he could find me something linked more with my strengths and knowledge of film.

Towards the end of November I received an email from Mark asking if I would be interested in being a researcher on a new film he was about to start making.

About a week later Mark and I met in Cambridge and spent a few hours discussing the film in more detail and what my role would entail. The next challenge, once I had seen a rough cut of the film towards the end of February, was to then start acquiring the best possible source materials of each of the 53 films that are used in the film.

Mark had a few of the titles in his personal collection and the rest I was able to obtain via other means. By the end there were only a couple of titles that proved difficult to obtain.

So it was with A Story of Children and Film. I realised early on in my thinking that, unlike my other films, it would not be about a journey, a road movie, it would be a series of themes.

So I scribbled each childhood theme — shy, secretive, performative, destructive, watching, leaving, adventurer, dreaming, grumpy, scared, loss, limited horizon, daring, class, adult, dog with a bone, alone — on the page, and drew a rough box around each.

Then, each time I watched a film, if it had a good scene about one of those themes, I wrote it down in the relevant box. I noted down the order in which I saw the themes — shyness came first, for example, and destructiveness came last.

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